Nathan Silver
The American minimalist of moral ambiguity and social fracture. His films move with the patience of everyday despair, conversations that circle, silences that calcify, characters trapped in the narrow spaces between survival and dignity. Cinema of small catastrophes.
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Carol & Joy
98-year-old Joy Kane, a music teacher and ex-dancer, shares stories and plays piano with her daughter Carol. Their afternoon together reveals artistic lives, family bonds, and their paths across two centuries.
Films
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Both construct narratives from duration and stillness—the camera lingers on faces and landscapes until meaning emerges from accumulated time rather than plot.
Shared obsession with provincial alienation, domestic suffocation, and the grinding poverty of modern life—cinema as witness to quiet suffering.
Both working outside industrial cinema systems—creating rigorous, uncompromising work from the margins of global film distribution.
Masters of urban desolation and human disconnection—bodies moving through spaces with glacial deliberation, loneliness made visible.
