Abel Ferrara
The saint of the damned. His cinema is sacramental, neon-soaked streets and tortured souls where grace arrives through violence, addiction, and absolute degradation. He films the unredeemable with the tenderness of a confessor.
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Turn in the Wound
Abel Ferrara explores human conflict and the search for peace and balance through the music and words of Patti Smith and the experiences of people at war in Ukraine.
Defining films
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Both obsessed with sin, redemption, and the transcendent trapped inside the body — Schrader's theology made flesh through Ferrara's Manhattan purgatory.
The body as battleground for invisible forces — illness, compulsion, spiritual decay rendered as physical horror, ecstatic and obscene.
Both brutalists of desire and faith — cinema stripped of sentiment, showing human wreckage with unflinching precision and secret compassion.
Shared vision of cinema as bodily experience — vulnerability exposed, desire unguarded, the everyday made luminous and dangerous.
