Cauleen Smith
A Black experimental filmmaker who treats the image as a site of rebellion and repair. Her work dissolves narrative into rhythm, color, and the politics of looking itself, cinema as an act of refusal and reclamation.
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Suffolk
Back in 2018 I invited an intergenerational group of women to help me make some moving-images in Noah Purifoy’s Desert Museum in Joshua Tree. The resulting film, 'Sojourner,' contemplates centuries of black feminist mysticism and cultural production.
Films
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Both use abstraction and sensory immersion to access emotional truths that realism cannot reach — color and texture as language.
Both reject linear narrative for durational cinema — time itself becomes the subject, memory and present collide in extended takes.
Pioneer of Black independent cinema and experimental practice — both centering Black subjectivity through formal innovation rather than representation.
Both create cinema of radical slowness and repetition — the mundane made hallucinatory, patience weaponized against spectacle.
