Son of Saul

I went back to a radical, classical style, which I found in Robert Bresson's films, like A Man Escaped, and also Jean-Marie Straub and Danièle Huillet's films, where the viewer is very much connected to one character and you follow that character, and the rest is unknown or out of focus, or out of frame. This style allows the viewer to be with the character in an immediate way.

A Man Escaped in turn shaped 6 films

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I saw Son of Saul when it came out and found it very upsetting. I admired its rigor, but for me, I wanted to find a different path.

Come and See in turn shaped 4 films

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I saw Son of Saul when it came out and found it very upsetting. I admired its rigor, but for me, I wanted to find a different path.

Shoah in turn shaped 3 films

Keep going forward from Shoah.

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