John Wick: Chapter 4
Where the DNA of John Wick: Chapter 4 travels
Films that shaped it
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Director Chad Stahelski mapped Sergio Leone's The Good, the Bad and the Ugly directly onto the climax, three combatants approaching each other in a graveyard-like space (here, Sacré-Cœur in Paris), music swelling, time dilating. Stahelski also cited the Japanese Zatoichi blind swordsman films as the blueprint for Donnie Yen's character, the sense of a master assassin navigating the world through pure technique and memory.
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Director Chad Stahelski mapped Sergio Leone's The Good, the Bad and the Ugly directly onto the climax, three combatants approaching each other in a graveyard-like space (here, Sacré-Cœur in Paris), music swelling, time dilating. Stahelski also cited the Japanese Zatoichi blind swordsman films as the blueprint for Donnie Yen's character, the sense of a master assassin navigating the world through pure technique and memory.
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Director Chad Stahelski mapped Sergio Leone's The Good, the Bad and the Ugly directly onto the climax, three combatants approaching each other in a graveyard-like space (here, Sacré-Cœur in Paris), music swelling, time dilating. Stahelski also cited the Japanese Zatoichi blind swordsman films as the blueprint for Donnie Yen's character, the sense of a master assassin navigating the world through pure technique and memory.
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Zatoichi Atlas note
Director Chad Stahelski mapped Sergio Leone's The Good, the Bad and the Ugly directly onto the climax, three combatants approaching each other in a graveyard-like space (here, Sacré-Cœur in Paris), music swelling, time dilating. Stahelski also cited the Japanese Zatoichi blind swordsman films as the blueprint for Donnie Yen's character, the sense of a master assassin navigating the world through pure technique and memory.
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The Good, the Bad and the Ugly Atlas note
Director Chad Stahelski mapped Sergio Leone's The Good, the Bad and the Ugly directly onto the climax, three combatants approaching each other in a graveyard-like space (here, Sacré-Cœur in Paris), music swelling, time dilating. Stahelski also cited the Japanese Zatoichi blind swordsman films as the blueprint for Donnie Yen's character, the sense of a master assassin navigating the world through pure technique and memory.
