Fallen Angels

I remember when I saw 'Fallen Angels' for the first time... the movie's so loud, it's so frantic, it's so in the moment. And the whole thing is just... the energy of it is what I think has probably seeped into our work.

Good Time in turn shaped 1 film

Keep going forward from Good Time.

Open Good Time's Cinema DNA →

Nicolas Winding Refn crafted Drive as an intoxicating, neon-drenched fairy tale, but its stoic soul belongs entirely to the French cinematic tradition of the ultra-cool, ascetic criminal. Refn and star Ryan Gosling obsessively studied Jean-Pierre Melville's Le Samouraï, borrowing Alain Delon's deadpan silence and the mythological code of an underworld phantom who speaks only when absolutely necessary. The film's deliberate, hypnotic pacing and fascination with solitary men navigating fatalistic systems is further reinforced by Melville's Le Cercle Rouge. By bathing the clinical detachment of the French New Wave era in a synth-pop, Los Angeles glow, Refn orchestrated a mesmerizing explosion of romantic brutality.