Day for Night

The thing is, I knew from the start that I wanted to make a movie about actresses in a certain context and dealing with certain kinds of issues, and then eventually I figured that the best way to approach it would be to make a film within a film, and that immediately made me think of movies like Day for Night or Contempt or 8 1/2.

When charting the labyrinthine, self-reflexive narrative of Adaptation, screenwriter Charlie Kaufman and director Spike Jonze looked toward the European traditions that first fractured the cinematic fourth wall. The film functions as a deeply neurotic American companion piece to Federico Fellini's 8 ½, mirroring its protagonist's crippling creative paralysis and hopelessly blurring the boundary between the author and his creation. Furthermore, François Truffaut's Day for Night served as a structural touchstone for exposing the messy, agonizing, and often humiliating process of filmmaking itself. Kaufman has also cited Luis Buñuel's surrealist masterwork The Discreet Charm of the Bourgeoisie as an essential influence in designing a reality where absolute absurdity is treated with deadpan sincerity.