Barbie
Where the DNA of Barbie travels
Films that shaped it
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I kept thinking of John Barrymore... in Twentieth Century or in Grand Hotel, that was one idea.
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Greta Gerwig has said she watched Jacques Demy's 1964 French musical The Umbrellas of Cherbourg, a film where every word is sung, every surface is saturated with color, and understood immediately what Barbieland should be: a world where artifice isn't dishonesty, it's the only language adequate to feeling. Demy's films are devastating precisely because they're beautiful. The same sadness hides inside Barbie.
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Greta Gerwig has said she watched Jacques Demy's 1964 French musical The Umbrellas of Cherbourg, a film where every word is sung, every surface is saturated with color, and understood immediately what Barbieland should be: a world where artifice isn't dishonesty, it's the only language adequate to feeling. Demy's films are devastating precisely because they're beautiful. The same sadness hides inside Barbie.
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Greta Gerwig has said she watched Jacques Demy's 1964 French musical The Umbrellas of Cherbourg, a film where every word is sung, every surface is saturated with color, and understood immediately what Barbieland should be: a world where artifice isn't dishonesty, it's the only language adequate to feeling. Demy's films are devastating precisely because they're beautiful. The same sadness hides inside Barbie.
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Umbrellas of Cherbourg Atlas note
Greta Gerwig has said she watched Jacques Demy's 1964 French musical The Umbrellas of Cherbourg, a film where every word is sung, every surface is saturated with color, and understood immediately what Barbieland should be: a world where artifice isn't dishonesty, it's the only language adequate to feeling. Demy's films are devastating precisely because they're beautiful. The same sadness hides inside Barbie.
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La Belle noiseuse Atlas note
Greta Gerwig has said she watched Jacques Demy's 1964 French musical The Umbrellas of Cherbourg, a film where every word is sung, every surface is saturated with color, and understood immediately what Barbieland should be: a world where artifice isn't dishonesty, it's the only language adequate to feeling. Demy's films are devastating precisely because they're beautiful. The same sadness hides inside Barbie.
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Volver Atlas note
Greta Gerwig has said she watched Jacques Demy's 1964 French musical The Umbrellas of Cherbourg, a film where every word is sung, every surface is saturated with color, and understood immediately what Barbieland should be: a world where artifice isn't dishonesty, it's the only language adequate to feeling. Demy's films are devastating precisely because they're beautiful. The same sadness hides inside Barbie.
