Cinema DNA
Andrei Rublev
2 films
Films it shaped
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Yes, Tarkovsky, undoubtedly. He is the master for me. His entire ouvre, but especially Andrei Rublev and Stalker, has always been a beacon.
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Alejandro González Iñárritu told cinematographer Lubezki to study Tarkovsky's Andrei Rublev (1966) and Kurosawa's Dersu Uzala, how these filmmakers filmed nature not as backdrop but as spiritual force. DiCaprio's face pressed against snow and rock becomes an extension of geography itself. Tarkovsky's belief that landscape has interiority runs through every frame.
