UNITED STATES · 1999
Worm and Web Love
European Art Cinema
nature and human connection
experimental cinema
superimposition and layering
organic imagery
intimate portraiture
Synopsis
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their
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nature and human connection · experimental cinema · superimposition and layering · organic imagery · intimate portraiture
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