The Mirror

Tarkovsky is always an inspiration. The Mirror is very personal. I enjoy its structure, its non-linear narrative, the way it uses voiceover, and the very specific feeling it creates. It’s hard to watch but it’s very beautiful.

I try to make my films like The Mirror of Tarkovsky, a film that you can enter, that can contain a landscape, that can contain a silence.

While Interstellar operates on a massive, theoretical canvas of relativity and black holes, Christopher Nolan anchored the film's emotional core in the devastating, metaphysical grief of Russian cinema. Nolan required his crew to screen Andrei Tarkovsky's Solaris, specifically aiming to replicate its assertion that human love and regret are forces just as powerful and tangible as gravity. He further drew upon Tarkovsky's The Mirror to conceptualize the profound, non-linear distortion of time, translating the persistence of childhood memory into a literal, physical dimension inside the tesseract. By grounding cosmic astrophysics in the intimate, poetic melancholy of the Soviet masters, Nolan created a wildly ambitious epic of the human heart.

Interstellar in turn shaped 1 film

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