Oslo, August 31st

I used to rewatch Louis Malle’s The Fire Within [Le Feu Follet] every year. That film to me is a masterpiece, and obviously, it has a lot to do with Oslo, August 31st.

Le Feu Follet in turn shaped 1 film

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When I started with digital filmmaking with Oslo, August 31st in 2011, I was trying to figure out how to work with it cinematically, how to make it feel tangible. I think Michael Mann is definitely one of the few who really mastered it, especially in Collateral and Miami Vice.

Miami Vice in turn shaped 3 films

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