Les Misérables

I also wanted to take the film out of the studio, because I was influenced by the French New Wave, by films like 'The Umbrellas of Cherbourg' [Les Parapluies de Cherbourg, 1964]. That film shot on location, used natural light, and had a great sense of visual truth. I wanted to apply that aesthetic to Les Mis.

Umbrellas of Cherbourg in turn shaped 9 films

+6

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I also wanted to take the film out of the studio, because I was influenced by the French New Wave, by films like 'The Umbrellas of Cherbourg' [Les Parapluies de Cherbourg, 1964]. That film shot on location, used natural light, and had a great sense of visual truth. I wanted to apply that aesthetic to Les Mis.

La Haine in turn shaped 2 films

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I also wanted to take the film out of the studio, because I was influenced by the French New Wave, by films like 'The Umbrellas of Cherbourg' [Les Parapluies de Cherbourg, 1964]. That film shot on location, used natural light, and had a great sense of visual truth. I wanted to apply that aesthetic to Les Mis.

The Hunchback of Notre Dame in turn shaped 1 film

Keep going forward from The Hunchback of Notre Dame.

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