Inception
Films that shaped it
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unlike in The Matrix where characters who die in the simulation also die in real life Nolan couldn't quite make that work for dreams
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Christopher Nolan has publicly acknowledged that Satoshi Kon, a Japanese animator, made Paprika four years before Inception with the same architecture: dreams folding inside dreams, a spinning object that tests whether you've returned to reality, cityscapes that collapse and rebuild according to the logic of the unconscious. Kon did it on a fraction of the budget. Paprika is on MUBI and is one of the great science fiction films of the 21st century. Tarkovsky's Stalker is the deeper ancestor: a journey into a forbidden zone where your true desires are what you're really afraid of.
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Stalker Atlas note
Christopher Nolan has publicly acknowledged that Satoshi Kon, a Japanese animator, made Paprika four years before Inception with the same architecture: dreams folding inside dreams, a spinning object that tests whether you've returned to reality, cityscapes that collapse and rebuild according to the logic of the unconscious. Kon did it on a fraction of the budget. Paprika is on MUBI and is one of the great science fiction films of the 21st century. Tarkovsky's Stalker is the deeper ancestor: a journey into a forbidden zone where your true desires are what you're really afraid of.
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Perfect Blue Atlas note
Christopher Nolan has publicly acknowledged that Satoshi Kon, a Japanese animator, made Paprika four years before Inception with the same architecture: dreams folding inside dreams, a spinning object that tests whether you've returned to reality, cityscapes that collapse and rebuild according to the logic of the unconscious. Kon did it on a fraction of the budget. Paprika is on MUBI and is one of the great science fiction films of the 21st century. Tarkovsky's Stalker is the deeper ancestor: a journey into a forbidden zone where your true desires are what you're really afraid of.
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Paprika Atlas note
Christopher Nolan has publicly acknowledged that Satoshi Kon, a Japanese animator, made Paprika four years before Inception with the same architecture: dreams folding inside dreams, a spinning object that tests whether you've returned to reality, cityscapes that collapse and rebuild according to the logic of the unconscious. Kon did it on a fraction of the budget. Paprika is on MUBI and is one of the great science fiction films of the 21st century. Tarkovsky's Stalker is the deeper ancestor: a journey into a forbidden zone where your true desires are what you're really afraid of.
