Heart of Glass

Nicolas Winding Refn crafted Drive as an intoxicating, neon-drenched fairy tale, but its stoic soul belongs entirely to the French cinematic tradition of the ultra-cool, ascetic criminal. Refn and star Ryan Gosling obsessively studied Jean-Pierre Melville's Le Samouraï, borrowing Alain Delon's deadpan silence and the mythological code of an underworld phantom who speaks only when absolutely necessary. The film's deliberate, hypnotic pacing and fascination with solitary men navigating fatalistic systems is further reinforced by Melville's Le Cercle Rouge. By bathing the clinical detachment of the French New Wave era in a synth-pop, Los Angeles glow, Refn orchestrated a mesmerizing explosion of romantic brutality.

Ari Aster has cited Ingmar Bergman repeatedly, specifically the way Bergman uses family as a crucible for psychological destruction. Persona, Hour of the Wolf, Cries and Whispers, Bergman's films are horror films that refuse to call themselves that. The grief at the center of Hereditary, the way trauma passes through families like a curse, this is Bergman's territory. Hour of the Wolf is Bergman's actual horror film and is streaming on the Criterion Channel.

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