Get Out
Where the DNA of Get Out travels
Films that shaped it
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Jordan Peele has cited Roman Polanski's apartment trilogy, Repulsion, Rosemary's Baby, The Tenant, as foundational to Get Out. Polanski showed how domestic spaces become sites of paranoia and entrapment, how politeness itself becomes threatening. Michael Haneke's Funny Games, streaming on Criterion Channel, is the direct ancestor of Get Out's use of liberal white comfort as horror. The most frightening films are about the violence hiding inside normalcy.
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Rosemary's Baby Atlas note
Jordan Peele has cited Roman Polanski's apartment trilogy, Repulsion, Rosemary's Baby, The Tenant, as foundational to Get Out. Polanski showed how domestic spaces become sites of paranoia and entrapment, how politeness itself becomes threatening. Michael Haneke's Funny Games, streaming on Criterion Channel, is the direct ancestor of Get Out's use of liberal white comfort as horror. The most frightening films are about the violence hiding inside normalcy.
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The Tenant Atlas note
Jordan Peele has cited Roman Polanski's apartment trilogy, Repulsion, Rosemary's Baby, The Tenant, as foundational to Get Out. Polanski showed how domestic spaces become sites of paranoia and entrapment, how politeness itself becomes threatening. Michael Haneke's Funny Games, streaming on Criterion Channel, is the direct ancestor of Get Out's use of liberal white comfort as horror. The most frightening films are about the violence hiding inside normalcy.
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Funny Games Atlas note
Jordan Peele has cited Roman Polanski's apartment trilogy, Repulsion, Rosemary's Baby, The Tenant, as foundational to Get Out. Polanski showed how domestic spaces become sites of paranoia and entrapment, how politeness itself becomes threatening. Michael Haneke's Funny Games, streaming on Criterion Channel, is the direct ancestor of Get Out's use of liberal white comfort as horror. The most frightening films are about the violence hiding inside normalcy.
Films it shaped
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fennel was attempting something similar to get out by having this eccentric liberal ended aristocracy family be the bad guys