Fellini Satyricon
Where the DNA of Fellini Satyricon travels
Films it shaped
-
I was totally impressed by Fellini’s 8½ and Satyricon.
-
As Francis Ford Coppola descended into the logistical madness of filming his Vietnam epic, he looked to Werner Herzog's Aguirre, the Wrath of God as his absolute spiritual and aesthetic lodestar. Coppola was mesmerized by Herzog's hallucinatory depiction of a megalomaniac drifting down a jungle river into absolute madness, consciously mirroring its hypnotic, fever-dream pacing for Captain Willard's journey. Furthermore, the chaotic, documentary-style immediacy of the film's early combat sequences was directly inspired by Gillo Pontecorvo's The Battle of Algiers, from which Coppola sought to replicate the terrifying, unvarnished chaos of asymmetrical warfare. The resulting epic completely transcends the traditional war film, operating instead as a surrealist descent into the darkest corners of the human psyche.
-
For Climax, I think of some of Fellini's Satyricon, Pasolini's Salo, or some of Caligula by Tinto Brass, because it's always been my favourite film.