UNITED STATES · 1965
Chinese Checkers
Stephen Dwoskin
Synopsis
His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to
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role reversal · power dynamics · costume and identity · ambiguity · predator prey relationships
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