Cartesius

We believe in a cinema of observation, a cinema that doesn't demonstrate, that doesn't say things. We refer here, for instance, to Rossellini's Blaise Pascal (1972) and Cartesius (1973) – films that don't explain, that don't teach, that don't pass judgment. We are deeply marked by these films, by the humility of their gaze, the way they approach their subjects without pre-conceived ideas.