UNITED STATES · 1958
Bridges-Go-Round 2
Shirley Clarke
Synopsis
New York City’s bridges are reimagined through montage, superimposition, and vivid color, transforming industrial architecture into rhythmic visual abstraction. Accompanied by a jazz score by Teo Macero, the film renders the urban landscape musical, kinetic, and alive (an alternate version of the film features an electronic score by Louis and Bebe Barron).
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urban architecture · abstract montage · jazz aesthetics · industrial landscape · color abstraction
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