Bacurau

Films like Vidas Secas (Barren Lives) by Nelson Pereira dos Santos, or Deus e o Diabo na Terra do Sol (Black God, White Devil) by Glauber Rocha, they showed us Brazil through our own eyes, not through European eyes.

Barren Lives in turn shaped 1 film

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As a film, *Bacurau* is also very much aware of the tradition of the Brazilian Western or *cangaço* films, like *Black God, White Devil* (1964) by Glauber Rocha. And you see that it's dealing with that specific type of film and also commenting on the state of things.

Black God White Devil in turn shaped 2 films

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