UNITED STATES · 1966

Another Day, Another Man

Doris Wishman
Synopsis

Steve and Ann Bundy move into an expensive new apartment after the husband gets a big pay raise. Unfortunately, Steve's soon stricken with a mysterious ailment and becomes bedridden. Unable to find employment, and with the bills piling up, Ann runs into a seedy pimp who suggests a way in which she could make a lot of money in a short time.

Year1966
DirectorDoris Wishman
Another Day, Another Man poster

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More from Doris Wishman

United States
Agent 73 (played not by Chesty Morgan, but by Tournay) is strangled right after the credits. Her three beautiful daughters — Sandy, Ginny and Nancy — attend her funeral and then spring into pre- Charlie Angels action as they seek revenge and try to get their 3 million dollar inheritance. Well they don’t seem to be in a big hurry to seek revenge as they all seem to enjoy teasing men or trying on fashions. Eventually some people get killed and the killers are brought to justice. A loud, garish ’70s feel permeates the entire film from the weird camera angles, fashions, and platform shoes to the (now familiar to Wishman fans) use of ashtrays and goblets to off people with. From the advertisements: “They love… They kill… There’s nothing they wouldn’t do!”
Agent 73 (played not by Chesty Morgan, but by Tournay) is strangled right after the credits. Her three beautiful daughters — Sandy, Ginny and Nancy — attend her funeral and then spring into pre- Charlie Angels action as they seek revenge and try to get their 3 million dollar inheritance. Well they don’t seem to be in a big hurry to seek revenge as they all seem to enjoy teasing men or trying on fashions. Eventually some people get killed and the killers are brought to justice. A loud, garish ’70s feel permeates the entire film from the weird camera angles, fashions, and platform shoes to the (now familiar to Wishman fans) use of ashtrays and goblets to off people with. From the advertisements: “They love… They kill… There’s nothing they wouldn’t do!”
Although Wishman denied the rumor for years, C. Davis Smith, Annie Sprinkle, and others have come forth and admitted Wishman directed two hardcore films. This was the first of the two. Wishman apparently did not direct the hardcore sex and left the room, leaving C. Davis Smith, and perhaps someone else, to direct the action. But everything else in the film is supposedly trademark Wishman… or so I’ve heard. I haven’t seen this one. (Note: actual on screen credits were not available to verify credits.) From the advertisements: “Let Her Show You How Good It Feels To Be Bad!”
Although Wishman denied the rumor for years, C. Davis Smith, Annie Sprinkle, and others have come forth and admitted Wishman directed two hardcore films. This was the first of the two. Wishman apparently did not direct the hardcore sex and left the room, leaving C. Davis Smith, and perhaps someone else, to direct the action. But everything else in the film is supposedly trademark Wishman… or so I’ve heard. I haven’t seen this one. (Note: actual on screen credits were not available to verify credits.) From the advertisements: “Let Her Show You How Good It Feels To Be Bad!”
Additional Wishman videos may be available through Video Search of Miami.
Additional Wishman videos may be available through Video Search of Miami.

Films with Similar Themes

financial desperation · marital strain · sex work · illness and disability · urban noir